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  • but the sun breaking out ju st as the p r o ce ed in g s w ent on. c The B ish op of C orpus C h r isti, H is E x c e lle n c y T hom as D ru ry m ade a p o etic in^vocation and then Stu U d all in trod u ced the g u e s ts --G e o r g e H artzog, the D
  • o lo r s , o r a n g e -is h , y e llo w s, g r e e n s - the sun flo w e r s s tic k p a r tic u la r ly in m y m in d . I didn't r e a liz e what a trem en d ou s range he had. One o f the sa d d est things w a s a painting o f h is own sh o e s
  • a u g u r a l s p e e c h , r e s t in the sun and g e t a ll of th o s e pho ne c a l ls ab o u t who h a s n 't got w h a t t i c k e t s . / (
  • ; and the E d S in g ers o f C orpus C h r isti, who’s ^ w o rk in g on an a r t g a lle r y for C orp u s, to be b u ilt • by P h ilip Johnson. And from the p r e s s , the P r ic e D ays of the B a ltim o re Sun; and the Hugh P a tte r so n s o f L ittle R
  • sa id , " I 'd go on, and I 'd sta y . MEMORANDUM TH E W H IT E HOUSE f v WASHINGTON W ednesday, M a rch 27, 1968 get som e sun, have a good tim e , " . Page 2 So L iz and I w o rk ed p u t a p o ss ib le trip i/\it looks lik e we m ig h t go
  • , w hen Lyndon and I had , h ea rd o f the R u ssia n s' f ir s t sh a tterin g trip in s p a c e . ; O nce m o r e , Lyndon u se d th is ch an ce for a p e a c e o ffe n s iv e . D " F ro m that p e r s p e c tiv e , w h ere the sun sh in es in a ll
  • m I r e m e m b e r f r o m R a i s i n in the Sun. p l a y e d the r e b e l l i o u s s o n , a n d I to ld h im I f e l t li k e m a m a , w ith th a t l i t t l e He MEMORANDUM T H E W H I T E H OU S E WASJIINOTON W e d n e s d a y , J u n e
  • h e r in a s o r t of sun p o r c h r o o m f o r us to m a k e p u r c h a s e s f r o m , an d a b o u t 6:40 w ith A m b a s s a d o r and M r s . B e l l we le f t f o r the P a l a c e on top of th e h ill. T he band w as p la y in g th e S t