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- o a r d m a rk u p o f the c h a n d e lie r
o f w a te rfo rd g la sss -th
t haatt On v
i iei ta
i IC
r iu
' i ilp
ii H
1 i no1 b
i ] ibIIy I is
n th
t h iin
n kki in
i g o f g iv in g to th e Wh ite H o u s e
■ • She h a s b e e n our g u e s t
- that the McNamaras had requested the
Valentis.
~!/.t
t
i'
II .
l
is always pleasant to have Florence Mahoney to a party.
She was a request of the Gardners.
Lynda Bird came.
i
She feels close
to nearly everyone in the Cabinet:://>As soon as I greeted
- a n d e v e r y b o d y m a d e a r a t h e r h a s ty d e p a r t u r e w ith m e m a k in g a
m e n t a l no te to t e l l B e s s no m o r e r a c k of l a m b --and let's g iv e g u e s ts t h a t
: exquiisite F«ii^»^the singing violin so they w
- io n , A d am
|
C la y to n P o w e ll, in a n a t m o s p h e r e te n s e w ith v io le n c e an d h a tr e d .
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’ VHiii’.’ . ■,
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ii
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...............'-i¥W -TrV T --"--iiii..................................r
- and pa;inting up and p la n tin g can do to k eep the c i t y "cool, baby",
to k e e p dow n that s p ir it o f fr u s tr a tio n and h o s t ilit y w h o se fin a l
r io ts ," ■ ■
T;
U M W if Wi U. « ii > —
■
■.-
; .■■ ---------- :.
- ^ " '■ J
- to s e e
th e m to d i s c u s s s ii^ o f f e r i n g th e l i t t l e h o u s e i n J o h n s o n C i t y w h e r e L y n d o n
g r e w u p to th e N a t i o n a l P a r k S e r v i c e , a n d a p i e c e o f l e g i s l a t i o n t h a t w o u l d
- w e r e p a r t i c i p a t i n g - - a m o n g th e m ,
iI
1
t
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D a llas,
I w a s p l e a s e d to h e a r - - a s t u d y s p o n s o r e d b y U r b a n A m e r i c a .
|
T h e g o a l i s to t r y to m a k e s u c h th in g s a s t r
- v e r a n d k is s e d m e on the c h e e k , the f i r s t tim e I e v e r r e m e m b e r
!
I f e l t th a t i t w a s th e siam
a m e s o r t oofi ssaiute»>^ncl
a lu t e ,/a n d iI w as g r a te fluu l, th a t I w a n te d to
r <
g iv e to D
- r J a c o b R iis .
T h ey h a d ev en h a u le d in a
t r e e - - a b o u t a th ir ty fo o t r e d o ak I w ould th in k - - a n d th e c h ie f of c o n s tr u c tio n
■r
d e s c r ib e d to u s w h e re th e t r e e s w ould be and w h a t th
