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11 results
Oral history transcript, Elizabeth (Liz) Carpenter, interview 3 (III), 5/15/1969, by Joe B. Frantz
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Oral history transcript, Henriette Wyeth Hurd, interview 1 (I), 4/10/1969, by Elizabeth Kaderli
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- INTERVIEWEE: HENRIETTE WYETH HURD INTERVIEWER: ELIZABETH KADERLI PLACE: Sentinel Ranch, San Patricio, New Mexico Tape 1 of 1 K: I am at Sentinel Ranch with Mrs. Hurd, who is gOing to tell me some more about the incident itself as she was with Hr. Hurd
- economy and in the communities. Addressing the touchy issue or controversial art, she said: "The artist and society do have a tentative relationship, sometimes wary of one another, for the artist is often the sentinel on the precipice, heralding change
- for the [inaudible]-- B: Howard Woods worked for the St. Louis Raider [St. Louis Sentinel], the colored paper, and Howard Woods was the editor. G: That was the Argus, wasn't it? B: Argus, yes. When Johnson was going to run for president, I got Howard Woods
Oral history transcript, Walter Jenkins, interview 14 (XIV), 7/19/1984, by Michael L. Gillette
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- after, I guess, the Orlando Sentinel and some other newspapers had been touting him for president. J: They'd begun booming him for the president just when this happened. I'm drawing on my own thoughts as to why he got so despondent sometimes
- to cut this Gordian knot. And I must say that in those days, he received practically no recognition for his effort. The pro-civil rights press in the large northern and eastern cities viewed Lyndon Johnson as a sentinel of the status quo for the old
Oral history transcript, Norman S. Paul, interview 1 (I), 2/21/1969, by Dorothy Pierce (McSweeny)
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- of the expense that that entails, that's a roles-andmissions type of decision. That's what I mean when I say that. For example, a major roles-and-missions decision was to put the Army in charge of the Sentinel System--the anti-ballistic missile system
- INTERVIEWEE: PETER HURD INTERVIEWER: ELIZABETH KADERLI PLACE: His studio at Sentinel Ranch, San Patricio, New Mexico Tape 1 of 1 K: I have come here to talk to Mr. Hurd about a painting he did of President Johnson which caused a good deal of interest
Oral history transcript, William H. Chartener, interview 1 (I), 1/22/1969, by Paige E. Mulhollan
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Oral history transcript, Lady Bird Johnson, interview 1 (I), 8/12/1977, by Michael L. Gillette
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- you remember his attitude toward Prohibition, of which I guess Homer Price there in Marshall was the big advocate? He owned the Sentinel? J: Oh, really? No, I don't. I would expect that he would be against it. I rather think he was against it. I do