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  • Series > Transcripts of LBJ Library Oral Histories (remove)
  • Type > Text (remove)
  • Date > 1968-12-19 (remove)

6 results

Oral history transcript, E. Ernest Goldstein, interview 4 (IV), 12/19/1968, by T.H. Baker (Item)
  • it all on color TV, subconsciously bugs a lot of people. And it might be an acceptable type of bugging if people were also willing to be rational about it and understand that you're not going to LBJ Presidential Library http://www.lbjlibrary.org ORAL
Oral history transcript, W. Marvin Watson, interview 2 (II), 12/19/1968, by Dorothy Pierce (McSweeny) (Item)
  • , the organizational people, that gave them something with which to work, that gave them some cause to work, because one of their two national nominees had been attacked. So it sort of gave them stimulus. To those that may have been independent in their beliefs
Oral history transcript, George E. Reedy, interview 1 (Ib), 12/19/1968, by T.H. Baker (Item)
  • Library Oral Histories [NAID 24617781] More on LBJ Library oral histories: http://discoverlbj.org/exhibits/show/loh/oh 19 R: No, I think a lot of it came from an organization known as NAIRO--the National Association of Inter-racial Officials, I believe
Oral history transcript, E. Ernest Goldstein, interview 3 (III), 12/19/1968, by T.H. Baker (Item)
  • or whatever--negotiations; from the Federal Reserve Board it was either [William McChesney] Bill Martin or Dewey Dane; and two or three other people--Ed Fried, myself, and Fred [Frederick L.] Deming [Under Secretary of Treasury for Monetary Affairs] and Winn
Oral history transcript, Steve Martini, interview 1 (I), 12/19/1968, by Joe B. Frantz (Item)
  • . But I would say that I have never met in my life a man that had more interest in the poor people's problems and the problems of the nation like this man has. F: Didn't you go to the wedding? M: I went to the wedding. F: This was Lynda's wedding? M
Oral history transcript, Harry C. McPherson, interview 2 (II), 12/19/1968, by T.H. Baker (Item)
  • , established an advisory committee on the arts including people like Peter Mennin, who was the head of the Julliard School. They set up panels--one in dance, one in music--serious music--one in popular music and so on. And they chose the very best available